What does the new normal of social distancing mean for the future of cultural experiences?
With health experts and global leaders urging citizens to stay home to stop the spread of COVID-19, social distancing has become the new normal across the world. But what does that mean for culture?
In the midst of this global health crisis, the usual channels for social interaction are disappearing. As venues close and events are cancelled, the connective infrastructure of communities is being rewired. With in-person get-togethers no longer an option, a new paradigm for community engagement is emerging – one that is defined by collective responsibility rather than physical proximity.
The way we participate in cultural events and experience cultural institutions is shifting in the wake of the COVID-19 pandemic, fundamentally transforming cultural touchstones. The Coachella and Glastonbury music festivals have been rescheduled, the Met Gala has been postponed indefinitely, sports leagues are on hiatus and museums and theatres worldwide have shut their doors. Even the 2020 Olympic Games in Tokyo have been postponed until 2021. As Jules Boykoff, a political scientist who studies the Olympics, argued in a 18 March op-ed for The New York Times, it would be “wildly irresponsible for the Games to go on”.
In the absence of in-person programming, cultural gatherings are being reformatted for virtual participation. Recent findings show that with people hunkering down at home, digital consumption is spiking. From the Louvre to Coachella, can these iconic places and emblematic events at the core of culture be virtualised?
Chris Martin and John Legend performing #TogetherAtHome concerts, Courtesy of Instagram
Artists and institutions are certainly trying. John Legend, Chris Martin and Keith Urban are among the musicians who have taken to Instagram Live over the past week to perform free virtual concerts with the hashtag #TogetherAtHome, playing songs requested by viewers. Country music star Brad Paisley took song requests by text in advance of his 19 March livestream performance on Facebook, which was part of Sony Music Nashville’s artists’ showcase. Also on 19 March, Billboard put on a virtual concert with livestreamed performances by JoJo, Luke Bryan and Josh Groban. Ultra Music Festival was cancelled due to the coronavirus outbreak and instead presented the Ultra Virtual Audio Festival on SiriusXM’s UMF Radio on 20 March, featuring exclusive sets by Major Lazer, Afrojack and Martin Garrix.
Met Opera's nightly live stream, Courtesy of Instagram
Audiences will be able to watch performances from their couches as theatres from Broadway to Hollywood close and blockbuster releases are postponed. On 16 March, the Metropolitan Opera began streaming nightly performances of classic operas from its archive, starting with the 2010 production of Carmen. The Melbourne Symphony Orchestra is livestreaming performances on YouTube while the opera house is closed, and the Philharmonie Berlin has made its library of digital performances available to the public for 30 days.
Broadway officially shut down on 12 March, but musical theatre fans can stream past performances on BroadwayHD, which is currently offering a one-week free trial. And the 24 Hour Play Festival – during which anyone from Broadway veterans to theatre students write and perform a play in 24 hours – posted a surprise staging on Instagram; from 6pm EST 17 March to 6pm EST 18 March, the festival released a special production called Viral Monologues, featuring celebrity actors performing monologues by famous writers, posted to Instagram every 15 minutes. Those lamenting the silver screen amid cinema closures and film premiere postponements will be able to view new movies at home instead of at theatres – movies like The Invisible Man, The Hunt, Emma and Frozen II are all being released early online.
Museums and zoos are inviting would-be visitors to experience their art and animals digitally. Some of the world’s most renowned art destinations, including the Louvre, the Vatican and the Metropolitan Museum of Art, are offering virtual tours while they are closed to visitors during the COVID-19 pandemic. The New England Aquarium in Boston has scheduled daily airings of feedings, tours and behind-the-scenes looks on Facebook Live, as have the National Aquarium in Baltimore, the Philadelphia Zoo and the Melbourne Zoo.
Microdose VR at Coachella by Vision Agency, Executive Produced by Meta
“What you’re seeing immediately are a lot of Zoom conferences and virtual conferences and online streaming,” Justin Bolognino, founder and CEO of multi-sensory experience company Meta, tells Wunderman Thompson Intelligence. But, Bolognino argues, a physical element is still needed to fully translate the cultural experience for at-home participation. We need experiences “where there is a tactility, there is a human energy component, there is a human creativity component – something you can actually touch and feel and make,” Bolognino says. Looking to the future of virtual culture, we should be “focused on maintaining that tactility, somehow, and maintaining that sense of awe and wonder”. And while there will certainly be a learning curve, he’s confident that “there’s no reason we can’t take that and translate it into this situation”.
26 March 2020
More in Experience
Engaging authentically with LGBTQAI+ communities
Exploring inclusion through a market-specific lens
Advocating for inclusive design
The role of self-identification and technology in creating an increasingly inclusive future
How do you connect an ecosystem?
Scannable brands are connected brands, says Jonathan Cummings, President APAC at WPP’s Landor & Fitch